|
| 
|
| The
Vital Statistics |
| Studio |
Various
spaces |
| Control
Room |
15'
X14' |
___ |
| Recording
Equipment: |
___
| Pro
Toos
8 |
(32-tracks,
16-24 bit, 44.1 / 48/99.2/98 khz) |
| Reason |
midi
sequencing / soft synth modeling software with recycle. |
| Final
Cut Pro HD 4 |
video
editing software |
| Finale
2000 |
Music
notation software |
| DVD
Pro |
DVD
Authoring software |
|
|
| Macintosh
G4 |
(Dual
1.4Ghz G4 - 1.5G ram - 500 Gig storage on machine and
2nd server. Three 21" Monitors. DVD-R/CDR-24X write.
CPU is not in the control room)
Laser
Printer
Gigabit
internal network.
High
Speed internet access - DSL
__ |
| Software
Plugins: |
Waves
Gold Bundle
Massey
Bomb
Factory
Amplitube
D-Racks
Antares Autotune
Digidesign
F/X bundle |
| Mixdown
Recorders |
Scully
280B
1/4"
1/2-track analog - 30 ips w/Dolby SR noise reduction
and
of course, direct to disk and CD-R |
| A/D
and D/D conversion |
Apogee,
Digidesign and PreSonus |
| Mic
Pre's |
Langavin,
Manley, Ampex, Altec, NeoTek,Pre Sonus DigiMax, some custom
things I've knocked together that sound quite cool, etc... |
| Microphones |
Various
mics available. I have many condensor, dynamic and ribbon
mics. (Neumann, AKG, Audio Technica, Shure, E/V, Sennheiser,
Beyerdynamic, etc... ) |
| Monitors |
Event
20/20 bas - self powered - biamped. |
| Headphones |
AKG
K240S, Sony MDR-7506,MDR-7504,MDR-7502,MDRV-700, Audio
Technica ATH-40fs, Sennheiser MD 280-pro. Fostex 5-channel
headphone amp. |
| Other
Outboard Gear |
Manley
Tube DI
various
passive DI's
Custom
built passive Summing Mix buss |
|
|
|
|
___
___ |
| Studio
Gear: |
1952
Sears Silvertone Twin 50 w/Greenback Celestions
Marshall
2 X 12" cabinet.
Line
6 POD II
Leslie
110 (modified to accept any guitar amp output)
Hammond
CV organ with reverb
Martin-Sigma
DR-18 Rosewood Acoustic
Fender
P-Bass (1972)
Slingerland
5 Piece kit.
Slingerland
Snare Drum (1942)
Various
instruments and percussion
___ |
| Rates: |
call
for rates
Hourly
$50/hour
email:ericmedley@ericmedley.com |
| Partial
Client List: |
Soul
Support, The Millions, Blue Moon Ghetto, Matt Banta, Mercy
Rule, Bungalow Trailer Park, Lullaby For The Working Class,
Killdozer, Fly Daddy Records, Saddle Creek Records, ismist
Recordings, EMI Records, Bar None Records, Swanson Russell
and Assoc. Bailey Laurmann, Rainbow Video, Editech - Omaha,
the list goes on...
Eric
has produced over 350 projects for music clients over the
past 20 years. His credits list is long and expansive. Projects
range from full-fledged records to audio for video/film and
mastering. Here's what people are saying...
Mike
Mogis - Saddle Creek Records / Lullaby For The Working Class
- Bright Eyes - Presto Recording.
"Michael
Mogis, of the current Lincoln alternative rock recording hot
spot Presto Studios, said that he based some of what he does
in his studio on what Medley did for him when he was first
recording with his band Lullaby for the Working Class. "He's
always been really good at working with the band to understand
where the artist or band is coming from and how to get that
on tape," Mogis said. " Daily Nebraskan April 11, 2001.
Jon
Taylor - Guitarist - Mercy Rule
"Jon
Taylor from Mercy Rule said his interest in the music as well
as his willingness to work with bands in order to make a better
recording was one of the reasons that so many bands came to
him in the past. "Eric helped us with one of our first albums,
and we ended up getting a record contract with a fairly big
label," Taylor said. "He was the guy that put up
and just let us go with our music." Omaha World Herald - Sept.
2001 |
|
|
